• Trackpoint N36 41.119 E22 25.149 31/7/2005 10:38:55 πμ 248 m 16 m 0:00:01 58 kph 253° true
    Trackpoint N36 41.116 E22 25.139 31/7/2005 10:38:56 πμ 248 m 17 m 0:00:01 61 kph 245° true
    Trackpoint N36 41.112 E22 25.130 31/7/2005 10:38:57 πμ 249 m 15 m 0:00:01 55 kph 242° true
    Trackpoint N36 41.108 E22 25.119 31/7/2005 10:38:58 πμ 250 m 17 m 0:00:01 61 kph 245° true
    Trackpoint N36 41.104 E22 25.110 31/7/2005 10:38:59 πμ 251 m 15 m 0:00:01 55 kph 242° true
    Trackpoint N36 41.100 E22 25.100 31/7/2005 10:39:00 πμ 252 m 17 m 0:00:01 61 kph 245° true
    Trackpoint N36 41.096 E22 25.090 31/7/2005 10:39:01 πμ 252 m 17 m 0:00:01 61 kph 245° true
    Trackpoint N36 41.092 E22 25.079 31/7/2005 10:39:02 πμ 253 m 17 m 0:00:01 61 kph 245° true
    Trackpoint N36 41.089 E22 25.070 31/7/2005 10:39:03 πμ 254 m 15 m 0:00:01 55 kph 242° true
    Trackpoint N36 41.085 E22 25.060 31/7/2005 10:39:04 πμ 255 m 17 m 0:00:01 61 kph 245° true
    Trackpoint N36 41.080 E22 25.050 31/7/2005 10:39:05 πμ 256 m 18 m 0:00:01 65 kph 238° true
    Trackpoint N36 41.073 E22 25.041 31/7/2005 10:39:06 πμ 257 m 18 m 0:00:01 65 kph 228° true
    Trackpoint N36 41.068 E22 25.030 31/7/2005 10:39:07 πμ 258 m 18 m 0:00:01 65 kph 238° true
    Trackpoint N36 41.061 E22 25.021 31/7/2005 10:39:08 πμ 260 m 18 m 0:00:01 65 kph 228° true
    Trackpoint N36 41.056 E22 25.014 31/7/2005 10:39:09 πμ 261 m 15 m 0:00:01 54 kph 230° true
    Trackpoint N36 41.050 E22 25.006 31/7/2005 10:39:10 πμ 263 m 17 m 0:00:01 60 kph 224° true
    Trackpoint N36 41.045 E22 24.997 31/7/2005 10:39:11 πμ 264 m 16 m 0:00:01 59 kph 235° true

    Follow you.
  • for S.

  • Das rote rothaarige Mädchen mit einem statistischen Herzen innerhalb der grossen erstaunlichen Apfelendlosschraube, die das Audiosculptors schwarz malt. Alle Fehler. Demoliert. Suche. Die Krone. Die Fliege Brüste und die Butter. Ein Film wird bald freigegeben:

    Die daemonischen Gesichter.


    Du lebst. Du stirbst. Interessierst du dich für die Tiere? Die Hölle. Das Gift. Ein sofortiger Blick eines Auges. Das Auge der Fliege. Sie entbidet Energie von Musik. Dieses ist ein merkwürdiger Platz. Ich möchte ihr Haar berühren können. Betätige die Schlüssel. Die Strichleiter der auferlegten Superkronen folgt dem majestätischen Element unserer Furcht, tief innerhalb der Gebärmutter ihrer Mütter.

    Αυτόματος. Βαβέλ.

  • we miss you.
  • TP,D, 38.01439000, 23.80643000,04/04/2005,14:50:17,1
    TP,D, 38.01422000, 23.80639000,04/04/2005,14:50:32,0
    TP,D, 38.01409000, 23.80636000,04/04/2005,14:50:34,0
    TP,D, 38.01398000, 23.80632000,04/04/2005,14:50:36,0
    TP,D, 38.01306000, 23.80615000,04/04/2005,14:50:38,0
    TP,D, 38.01297000, 23.80613000,04/04/2005,14:50:41,0
    TP,D, 38.01297000, 23.80600000,04/04/2005,14:50:46,0
    TP,D, 38.01302000, 23.80587000,04/04/2005,14:50:48,0
    TP,D, 38.01310000, 23.80568000,04/04/2005,14:50:50,0
    TP,D, 38.01319000, 23.80546000,04/04/2005,14:50:52,0
    TP,D, 38.01323000, 23.80536000,04/04/2005,14:50:53,0
    TP,D, 38.01330000, 23.80525000,04/04/2005,14:50:54,0
    TP,D, 38.01334000, 23.80514000,04/04/2005,14:50:55,0
    TP,D, 38.01340000, 23.80491000,04/04/2005,14:50:57,0
    TP,D, 38.01351000, 23.80469000,04/04/2005,14:50:59,0
    TP,D, 38.01355000, 23.80461000,04/04/2005,14:51:00,0
    TP,D, 38.01360000, 23.80450000,04/04/2005,14:51:01,0
    TP,D, 38.01364000, 23.80439000,04/04/2005,14:51:02,0
    TP,D, 38.01373000, 23.80418000,04/04/2005,14:51:04,0
    TP,D, 38.01377000, 23.80407000,04/04/2005,14:51:05,0
    TP,D, 38.01381000, 23.80394000,04/04/2005,14:51:06,0
    TP,D, 38.01381000, 23.80383000,04/04/2005,14:51:07,0
    TP,D, 38.01381000, 23.80370000,04/04/2005,14:51:08,0
    TP,D, 38.01381000, 23.80358000,04/04/2005,14:51:09,0
    TP,D, 38.01383000, 23.80345000,04/04/2005,14:51:10,0
    TP,D, 38.01383000, 23.80332000,04/04/2005,14:51:11,0
    TP,D, 38.01381000, 23.80321000,04/04/2005,14:51:12,0
    TP,D, 38.01381000, 23.80306000,04/04/2005,14:51:13,0
    TP,D, 38.01381000, 23.80293000,04/04/2005,14:51:14,0
    TP,D, 38.01381000, 23.80282000,04/04/2005,14:51:15,0
    TP,D, 38.01379000, 23.80270000,04/04/2005,14:51:16,0
    TP,D, 38.01379000, 23.80257000,04/04/2005,14:51:17,0
    TP,D, 38.01375000, 23.80235000,04/04/2005,14:51:19,0
    TP,D, 38.01368000, 23.80220000,04/04/2005,14:51:21,0
    TP,D, 38.01364000, 23.80207000,04/04/2005,14:51:23,0
    TP,D, 38.01358000, 23.80197000,04/04/2005,14:51:25,0
    TP,D, 38.01353000, 23.80186000,04/04/2005,14:51:27,0
    TP,D, 38.01347000, 23.80173000,04/04/2005,14:51:29,0
    TP,D, 38.01340000, 23.80160000,04/04/2005,14:51:31,0
    TP,D, 38.01334000, 23.80145000,04/04/2005,14:51:34,0
    TP,D, 38.01327000, 23.80132000,04/04/2005,14:51:37,0
    TP,D, 38.01323000, 23.80124000,04/04/2005,14:51:39,0
    TP,D, 38.01319000, 23.80104000,04/04/2005,14:51:41,0
    TP,D, 38.01319000, 23.80083000,04/04/2005,14:51:43,0
    TP,D, 38.01317000, 23.80070000,04/04/2005,14:51:45,0
    TP,D, 38.01315000, 23.80059000,04/04/2005,14:51:49,0
    TP,D, 38.01308000, 23.80053000,04/04/2005,14:51:52,0
    TP,D, 38.01300000, 23.80053000,04/04/2005,14:51:54,0
    TP,D, 38.01289000, 23.80053000,04/04/2005,14:51:56,0
    TP,D, 38.01278000, 23.80053000,04/04/2005,14:51:58,0
    TP,D, 38.01267000, 23.80053000,04/04/2005,14:52:00,0
    TP,D, 38.01257000, 23.80053000,04/04/2005,14:52:01,0
    TP,D, 38.01246000, 23.80055000,04/04/2005,14:52:02,0
    TP,D, 38.01235000, 23.80055000,04/04/2005,14:52:03,0
    TP,D, 38.01224000, 23.80055000,04/04/2005,14:52:04,0
    TP,D, 38.01214000, 23.80057000,04/04/2005,14:52:05,0
    TP,D, 38.01203000, 23.80057000,04/04/2005,14:52:06,0
    TP,D, 38.01192000, 23.80057000,04/04/2005,14:52:07,0
    TP,D, 38.01173000, 23.80059000,04/04/2005,14:52:09,0
    TP,D, 38.01162000, 23.80061000,04/04/2005,14:52:10,0
    TP,D, 38.01149000, 23.80064000,04/04/2005,14:52:11,0
    TP,D, 38.01139000, 23.80066000,04/04/2005,14:52:12,0
    TP,D, 38.01115000, 23.80070000,04/04/2005,14:52:14,0
    TP,D, 38.01104000, 23.80072000,04/04/2005,14:52:15,0
    TP,D, 38.01094000, 23.80076000,04/04/2005,14:52:16,0
    TP,D, 38.01081000, 23.80079000,04/04/2005,14:52:17,0
    TP,D, 38.01070000, 23.80081000,04/04/2005,14:52:18,0
    TP,D, 38.01059000, 23.80085000,04/04/2005,14:52:19,0
    TP,D, 38.01036000, 23.80089000,04/04/2005,14:52:21,0
    TP,D, 38.01025000, 23.80091000,04/04/2005,14:52:22,0
    TP,D, 38.01014000, 23.80096000,04/04/2005,14:52:23,0
    TP,D, 38.01003000, 23.80098000,04/04/2005,14:52:24,0
    TP,D, 38.00982000, 23.80102000,04/04/2005,14:52:26,0
    TP,D, 38.00971000, 23.80106000,04/04/2005,14:52:27,0
    TP,D, 38.00961000, 23.80109000,04/04/2005,14:52:28,0
    TP,D, 38.00952000, 23.80111000,04/04/2005,14:52:29,0
    TP,D, 38.00941000, 23.80115000,04/04/2005,14:52:30,0
    TP,D, 38.00931000, 23.80117000,04/04/2005,14:52:31,0
    TP,D, 38.00920000, 23.80119000,04/04/2005,14:52:32,0
    TP,D, 38.00909000, 23.80124000,04/04/2005,14:52:33,0
    TP,D, 38.00888000, 23.80128000,04/04/2005,14:52:35,0
    TP,D, 38.00877000, 23.80130000,04/04/2005,14:52:36,0
    TP,D, 38.00864000, 23.80132000,04/04/2005,14:52:38,0
    TP,D, 38.00853000, 23.80132000,04/04/2005,14:52:41,0
    TP,D, 38.00840000, 23.80128000,04/04/2005,14:52:44,0
    TP,D, 38.00834000, 23.80109000,04/04/2005,14:52:46,0
    TP,D, 38.00832000, 23.80100000,04/04/2005,14:52:47,0
    TP,D, 38.00825000, 23.80081000,04/04/2005,14:52:49,0
    TP,D, 38.00821000, 23.80064000,04/04/2005,14:52:51,0
    TP,D, 38.00815000, 23.80051000,04/04/2005,14:52:53,0
    TP,D, 38.00810000, 23.80036000,04/04/2005,14:52:55,0
    TP,D, 38.00806000, 23.80021000,04/04/2005,14:52:57,0
    TP,D, 38.00800000, 23.80008000,04/04/2005,14:52:59,0
    TP,D, 38.00795000, 23.79993000,04/04/2005,14:53:01,0
    TP,D, 38.00793000, 23.79976000,04/04/2005,14:53:07,0
    TP,D, 38.00808000, 23.79838000,04/04/2005,14:53:12,0
    TP,D, 38.00804000, 23.79819000,04/04/2005,14:53:14,0
    TP,D, 38.00797000, 23.79800000,04/04/2005,14:53:16,0
    TP,D, 38.00804000, 23.79817000,04/04/2005,14:53:19,0
    TP,D, 38.00795000, 23.79815000,04/04/2005,14:53:22,0
    TP,D, 38.00795000, 23.79791000,04/04/2005,14:53:24,0
    TP,D, 38.00793000, 23.79776000,04/04/2005,14:53:26,0
    TP,D, 38.00789000, 23.79765000,04/04/2005,14:53:27,0
    TP,D, 38.00780000, 23.79742000,04/04/2005,14:53:30,0
    TP,D, 38.00776000, 23.79737000,04/04/2005,14:53:32,0
    TP,D, 38.00774000, 23.79722000,04/04/2005,14:53:40,0
    TP,D, 38.00770000, 23.79705000,04/04/2005,14:53:42,0
    TP,D, 38.00763000, 23.79686000,04/04/2005,14:53:44,0
    TP,D, 38.00761000, 23.79667000,04/04/2005,14:53:46,0
    TP,D, 38.00757000, 23.79654000,04/04/2005,14:53:48,0
    TP,D, 38.00755000, 23.79639000,04/04/2005,14:53:50,0
    TP,D, 38.00750000, 23.79624000,04/04/2005,14:53:53,0
    TP,D, 38.00746000, 23.79609000,04/04/2005,14:53:56,0
    TP,D, 38.00744000, 23.79591000,04/04/2005,14:53:59,0
    TP,D, 38.00740000, 23.79579000,04/04/2005,14:54:02,0
    TP,D, 38.00737000, 23.79566000,04/04/2005,14:54:13,0
    TP,D, 38.00733000, 23.79551000,04/04/2005,14:54:15,0
    TP,D, 38.00729000, 23.79540000,04/04/2005,14:54:18,0
    TP,D, 38.00725000, 23.79534000,04/04/2005,14:54:23,0
    TP,D, 38.00709000, 23.79540000,04/04/2005,14:54:26,0
    TP,D, 38.00697000, 23.79546000,04/04/2005,14:54:28,0
  • Could they pull the strings? Is it a habitat issue? Free range or a tree? Day or Night?. Nine to five. ..to be strong in the morning. Do you produce for the morning hours?

    I wish I could see the yellow birds of Baltimore again.

  • Die Ideen der Konvergenz / Neigung und des abschließenden Abbaus, wie zuschreibt hauptsächlich lebend, werden umgewandelt und sind im Rahmen des Filmtextes eingeschlossen. Die Kosten des kompletten Verlustes wird in diesem bestimmten Fall gelöscht wird. Die Musik operiert sich auf eine überraschend harte Versöhnungsweise mit der Konvergenz / Neigung und regt die komplette Aufspaltung an, die tatsächlich die einzige Lösung ist.

    The ideas of the convergence / divergence and the final removal, as mainly living attributes, are converted and ensclaved in the frames of the film text. The cost of complete loss is not erased neither in this particular case. The music functions with a hard and surprisingly reconciliative way with the divergence / removal, encouraging the complete decomposition, which is in fact the one and only solution.
    • Produktionsjahr: 2006
      Produktion: You: Coma
      Format: miniDV
      Video: U. Cassavetes
      Musik: BroodingSideOfMadness ("Too Many Video Games / Rotten Brain")

  • Are we freaks by necessity? What if the precious and imaginary place for your ultimate escape would be turned into a sandcastle? Life's an ocean. Do you have to live in a snake pit to appreciate? Do you count your walking steps? Surely, "there is a rose that I want to live for!"

  • Writer/ Directed: BroodingSideOfMadness
    Time: 4.59 min
    Production Year: 2006
    'VAIA'

  • Athens, Votanikos, September 2006
     Posted by Picasa
  • Experiential should be deconstructed and be resynthesized. The process of this circular passage it is not possible to be recorded, because of there are involved so many experiential components. The map for each reader constitutes a personal trip, and it is indubitable that map reading develops feelings, dexterities and intellectual activities beyond the aim for which it was manufactured.
     Posted by Picasa
  • All the small "Romulus and Remus" nurse from the breast of city in such a way that renders the city a closed system with final conclusion the inevitable decline of our geographic space.
  • Ag. I. Rentis, Athens, August 2006
    title by Urs.

    The fantastic "City Boy" song:

    I'm just a city boy
    Born and bred
    It's a city life I've led
    My pasture was a street
    I've never climbed a tree
    But that's all right with me
    'Cause I'm a city boy

    I'm just a city boy
    Born and raised
    From these rooftops I have gazed
    Where the grass was made of steel
    I've never plowed a field
    Until the pavement starts to peel
    I'll be a city boy

    I'm just a city boy
    Born and grown
    That's all I've ever known
    Where the lights would greet the dawn
    There's a factory for a farm
    Sure the city has its charm
    When you're a city boy

    Phil Ochs

  • Test Time Window: 5 min // Participants: 3 Persons // Human translation of a greek document to french via MSN.
    Packet Volume: 5 words


    L' habitant ou encore meme le visiteur distant peuvent recevoir une culture et de la joie par la region.
    La ville ou encore meme la nature distante voient la totalite de leurs reserves culturelles epuisees.
    De plus, si on s'appuie sur le fait a)que la culture existante provient des habitants , chaque espace geographique citadin entre dans un cercle vicieux de decadence
    et b)de l'effort de l'harmonie de la culture qui provient des habitants et des tensions actuelles du tourisme totalitarisme, pour la rendre de plus en plus seduisante pour les visiteurs postulents.

    Bsom 2005 (merci G. & R.)

  • Writer/ Directed: BroodingSideOfMadness
    Music: '3rd ADO'
    Time: 6.05 min
    Production Year: 2004
    'VAIA'

    Places: Copenhagen, Athens, Nicosia, Salonika
    . Time: 6mins 14secs
    Headscratching travelling salesman problems using 3rd ADO

    Ορθότητα χρόνου, αποκτηνωτικοί όροι επιβίωσης, ο χώρος αναδιπλασιάζεται και κατασπαράσσει και την τελευταία ένδειξη ανθρώπινης υφής, ακόμα και τα λευκά πουκάμισα περιμένουν υπομονετικά τον περαιτέρω αναδιπλασιασμό τους, σίγουρα για το διαμεσολαβητικό τους ρόλο σε τέτοιους είδους καταστάσεις πίεσης και συντήρησής της.

  • Ioannina, Greece, August 2006 (photo: teo_ramones)
  • Dada Stops / Athens roads

    Recommended walk.

    Data:

    The stops:Les Mamelles de Tiresias C'est mon dada Guillaume Apollinaire Louis Aragon Jean Arp Beatrice Wood Johannes Baader Johannes Theodor Baargeld Hugo Ball Andre Breton Arthur Cravan Jean Crotti Theo van Doesburg Will Dockery Marcel Duchamp Paul Eluard Max Ernst Julius Evola Lyonel Feininger George Grosz Raoul Hausmann Emmy Hennings Wieland Herzfelde Hannah Hoch Richard Huelsenbeck Barry Humphries Marcel Janco Hans Leybold Filippo Tommaso Marinetti Agnes Ernst Meyer Pranas Morkunas Clement Pansaers Francis Picabia Man Ray Georges Ribemont-Dessaignes Hans Richter Kurt Schwitters Walter Serner Philippe Soupault Sophie Taeuber Tristan Tzara Takahashi Shinkichi Tsuji Jun Marius de Zayas





    Excerpt from the directions guide: [From Johannes Theodor Baargeld to Emmy Hennings]

    73: Άφιξη @ Johannes Theodor Baargeld
    74: Αναχώρηση από Johannes Theodor Baargeld

    75: Πήγαινε πίσω Νότιοανατολικά στην Λένορμαν
    Απόσταση 450.5 μέτρα
    76: Στρίψε δεξιά στην Πλατεία Μεταξουργείου
    Απόσταση 40.5 μέτρα
    77: Αριστερά στην Κολοκυνθούς
    Απόσταση 101.4 μέτρα
    78: Στρίψε δεξιά στην Μ. Αλεξάνδρου

    Απόσταση 50.3 μέτρα
    79: Στρίψε αριστερά στην Γιατράκου
    Απόσταση 185.5 μέτρα
    80: Ευθεία στην Ακάδημου
    Απόσταση 94.2 μέτρα
    81: Στρίψε δεξιά στην Αγησιλάου
    Απόσταση 55.7 μέτρα
    82: Στρίψε αριστερά στην Μυλλέρου
    Απόσταση 68.1 μέτρα
    83: Στρίψε δεξιά στην Τσαλδάρη
    Απόσταση 70.4 μέτρα
    84: Άφιξη @ Emmy Hennings





    Dada Cost distance

    All the costs for
    Agnes Ernst Meyer:

    Agnes Ernst Meyer - Agnes Ernst Meyer 0.00
    Agnes Ernst Meyer - Barry Humphries 173.51
    Agnes Ernst Meyer - Marcel Janco 173.51
    Agnes Ernst Meyer - Arthur Cravan 252.86
    Agnes Ernst Meyer - Hans Leybold 766.38
    Agnes Ernst Meyer - Filippo Tommaso Marinetti 1040
    .79
    Agnes Ernst Meyer - Pranas Morkunas 1048.47
    Agnes Ernst Meyer - Guillaume Apollinaire 1200.60
    Agnes Ernst Meyer - Georges Ribemont-Dessaignes 1415.72
    Agnes Ernst Meyer - Johannes Baader 2093.36
    Agnes Ernst Meyer - C'est mon dada 2261.11
    Agnes Ernst Meyer - Hans Richter 2261.11
    Agnes Ernst Meyer - Lyonel Feininger 2261.11
    Agnes Ernst Meyer - Max Ernst 2261.11

    Agnes Ernst Meyer - Louis Aragon 2401.36
    Agnes Ernst Meyer - Clement Pansaers 2446.56
    Agnes Ernst Meyer - Will Dockery 2618.04
    Agnes Ernst Meyer - Andre Breton 2799.35
    Agnes Ernst Meyer - Raoul Hausmann 2909.35
    Agnes Ernst Meyer - Man Ray 2946.77

    Agnes Ernst Meyer - Wieland Herzfelde 2969.77
    Agnes Ernst Meyer - Francis Picabia 3065.93
    Agnes Ernst Meyer - Marcel Duchamp 3078.78
    Agnes Ernst Meyer - Hannah Hoch 3302.25
    Agnes Ernst Meyer - Paul Eluard 3424.06
    Agnes Ernst Meyer - Theo van Doesburg 3446.95

    Agnes Ernst Meyer - George Grosz 3777.53
    Agnes Ernst Meyer - Hugo Ball 3777.53

    Agnes Ernst Meyer - Jean Arp 4032.09
    Agnes Ernst Meyer - Emmy Hennings 4048.60
    Agnes Ernst Meyer - Richard Huelsenbeck 4159.73
    Agnes Ernst Meyer - Beatrice Wood 4207.90
    Agnes Ernst Meyer - Les Mamelles de Tiresias 4503.27
    Agnes Ernst Meyer - Johannes Theodor Baargeld 5037.22
    Agnes Ernst Meyer - Jean Crotti 5639.85



    Detailed map of Cost distance

  • For Wendy J.

    What ails my senses thus to cheat? What is it ails the place, That all the people in the street Should wear one woman's face? The London trees are dusty-brown Beneath the summer sky; My love, she dwells in London town, Nor leaves it in July. O various and intricate maze, Wide waste of square and street; Where, missing through unnumbered days, We twain at last may meet! And who cries out on crowd and mart? Who prates of stream and sea? The summer in the city's heart-- That is enough for me. Amy Levy
     Posted by Picasa
  • Writer/ Directed: BroodingSideOfMadness
    Music: 'Anglapak'
    Time: 3.36 min
    Production Year: 2004
    'VAIA'

  • DJ4 team > 2nd New Wave party @ Keevos bar.
    Monastiraki, Athens, 2006.05.18


    It's going to be an inner and DJ clash, I presume. One rule:
    Strictly New Wave 1976-1983 music.

    Please click here for details.

    What is New Wave for you?
  • my myspace.com site here
  • Ah, Easter holidays. Normally greeks slaughter thousands of lambs in the name of tradition. this particular time of the year. food orgy is accompanied with trad. sounds of clarinet (i hate it). Anyway, i started working on the M and J project. I googled a lot. found pictures and maps. Those precious handwrited notes again.

    First topic to cover is torture. prepared the first 2-4 minutes motion video. Those first minutes will be the historical intro. some snapshots with masks. got postitive feedback .

    we don't even have a working title.
  • AOI

    Last night? An urban safari by automobile. We traversed the south west suburbs, map free. Me, had a terrible headache. Hammering Metal Barrels. 'Vasilikon' and 'American Ladies' are already geomarked four star roads in my mind. Wish I had my GPS to capture our route. The ugliest part of the city.
  • Some bars are cesspools. Come on, get in, bring your tired bodies and pretend you have a great time for a couple of hours. Leave your human wastes, pint after pint. Do we want to be part of the spectacle of denial and fun? Instead:
    Let's go, burning, down the road and invent new urban geographies.
  • Our 1st New Wave Party @ Alheemistes , Psirri, Athens [6 April 2006]
    Το πρώτο Νιου γουέιβ πάρτυ @ Αλχημιστής, Ψυρρή, Αθήνα [6 Απριλίου 2006]

    Free Entrance / Ελεύθερη είσοδος

    DJs: G. Ginis, Jimmy Strummer, BroodingSideOfMadness, N. Sarikostas.
    We'll cover the 1976-1983 (<-strictly) era / Θα καλύψουμε τη περίοδο 1976-1983 (<-αυστηρά)

    Visit DJ4 blog site here. George G. and Jimmy S. posted two articles.

    What is New Wave for me? Surely it's G. Maciunas and K. Malevitch's eyes. It's Os Mutantes and the Pop Group. It's the Clash and tropicalia. Oppose to all patriarchs of tagging and question authority.



  • Our annual JS tribute party in 09.03.2006 @ Alchemestes Bar, Psirri, Athens.

    DJs: George Ginis, Jimmy S., BroodingSideOfMadness.